Middle Half House / SAW // Spiegel Aihara Workshop
Text description provided by the architects. The project is the transformative architectural and landscape design of a 1962 home in Mill Valley for a couple and their two young children. The project, known as The Middle Half, dramatically reconfigures the home’s core to create an open, light-flooded interior and direct connection to the landscape. Raw, textured materials like galvanized steel, rough-sawn cedar siding, and cast-in-place concrete define the project and accentuate its unexpected, layered geometries.
highly congested core. While the homeowners were fond of its modest horizontal facade and straightforward approach to materials, they recognized the effects of aging and organizational flaws, which bifurcated family living patterns and severed the interior from the site’s views. SAW’s design enlarges the home to 3,457-sf, unlocks its layout to create an open-plan central living space, and enhances its connection to the dramatic vistas. Throughout the home’s interior, fixtures and finishes were designed collaboratively by SAW and one of the homeowners, Kina Ingersoll, an interior designer. Ingersoll also selected all of the furniture.
The design is defined by a sense of expansion as one moves from the front of the house, which is one level along the street, to the back of the house, which carves down to two levels and faces a steep, lush valley.
Approaching from the street, the facade is low-slung and grounded in the landscape. Lateral rough-sawn Western Red cedar cladding enhances its horizontality, while slatted trellises slip beyond the roof and frame the front entrances against the guiding angled wall of the garage. A feeling of suspension quickly takes over upon entering the home, where a new circulation path crosses through the diffuse core, drawing a clear sightline from the front door to the suspended rear deck and views beyond.
This path connects the home’s communal spaces (kitchen, dining area, living room, family room, and outdoor deck) along a central axis, while more private areas (bedrooms, bathrooms, office, and guest suite) peel off to the left and right. Through the front door, a tall, narrow entry corridor opens quickly into a wide, open-format kitchen and dining area beneath exposed-beam ceilings, which are perforated by skylights that punch up and seem to peel back portions of the roof. Crisp white gypsum walls and floor-to-ceiling white millwork enhance a sense of buoyancy and lightness, as subtle long-stemmed pendant lights suspend over a minimal gray kitchen bar volume and a live-edge dining room table, designed by one of the homeowners.
While the entire home is an exercise in blurring distinctions between interior and exterior, this reaches its fullest expression at the rear. The kitchen-dining zone spills without interruption into living and family rooms bordered by floor-to-ceiling windows and glass doors that open to the suspended upper deck, implying layered continuity. The sensation is enhanced by interior ceiling beams that extend into outdoor space, forming a slatted trellis over the back deck.
SAW’s design ensures that even the home’s more intimate rooms converge with the landscape. A new, expansive 16-foot-wide sliding door carves into the primary bedroom’s front wall. This opens onto the redesigned front garden, planted with a lush array of azaleas, lilies, and grasses. The connected primary bathroom is likewise organized around a window that reveals the front yard’s camphor tree.
Extending from the right of the kitchen-dining area, a short hallway stitches the main volume of the home to the kids’ wing, which angles to the west. Windows lining this threshold, create a visual connection through the volumes, revealing the home’s layered, slipping geometries. On the other side of the kitchen, a stairwell slides subtly behind the family room’s open bookshelf down into a lower-level bar/lounge, guest room, and office; previously, there had been no interior connection between the upstairs and downstairs. The lounge also features glass floor-to-ceiling sliding doors that open onto the lower deck.
SAW designed the rear landscape to be volumetric, defined by geometries shared with the architectural design. The wide upper deck connects to the stepped lower decks with a sharply defined, hefty cedar staircase and railing made from galvanized steel posts and stainless steel cable. The pool, located on the lowest deck, is seamless at one side—a void in the landscape—and yet a solid rectilinear block in the hillside from another. Below, terraces stagger as “landscape rooms” across the slope.